

I'm not for everyone and I like it that way
I never meant to be disruptive. I’m just not pretending.
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I live big. I speak what others swallow. I follow my excitement.
And if that makes me too much or too messy — good.
We’ve been taught to fear wild women, not because they’re dangerous, but because they can’t be controlled. And we were never meant to be.
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I’ve cried in public all over the world (on sidewalks, on airplanes, at restaurants, and once on the floor of Gare du Nord), laughed at the wrong times, said all the wrong things — and survived.
I’ve been orphaned by systems, shaped by loss, and sculpted by resilience.
I’ve sat with darkness that made other people flinch, and stayed anyway.
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I don’t perform healing. I live it. Embodied, magical, and real.
Not as a brand. As devotion.
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Because real magic isn't about candles and good vibes.
It’s about standing at the edge of the Great Mystery, confronting the void,
and daring to trust anyway.
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If your heart whispered “same” anywhere in here
if you’ve ever been shamed for your shine,
if you’ve felt too weird, too loud, or too wild to be seen
you’re not too much for me.
You’re just right.
And maybe, you’re finally home.
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✨ Ready to work together?
Explore the podcast, pull a card, or book a session below.

Work with Me : Energy Healing
Everything I offer is a variation of the same medicine: intuitive energy work guided by deep witnessing and validation through channeled guidance and story.
I don’t hand you answers—I hold space for revelation.
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Meet Rhiannon
Rhiannon Vaughn is a Mexican-American writer, filmmaker, and energy worker who believes your story is sacred—especially the messy, inconvenient, complicated parts. She brings a fiercely honest lens to her healing and creative work, especially attuned to those who think differently, feel too much, and have spent a lifetime trying to make their insides palatable to the outside world.
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From valedictorian softball star to Pepperdine dropout bagging groceries for celebrities in Malibu (and getting recognized from TV in the process!) to a decade at Bank of America before answering the call to create—her winding path proves that unconventional routes lead to the most sacred work.
Award-winning playwright whose works like Wine Night and A Lovely Day Outside have graced stages from Toronto to LA, her fictional podcast Persistence of Memory won Best Podcast at TIFF64 and was selected for Gotham Week. Her films have screened at festivals nationwide, she edited a segment for Shudder's horror anthology Scare Package. She has produced stand-up comedy all over Los Angeles, including the variety show Theme Party Presents: BLUTHFEST! that earned a feature in LA Weekly.
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​Rhiannon writes bold, emotionally disruptive dramedies about shame, survival, and spiritual awakenings. She’s currently developing a feature and two pilots—and is open to collaboration, creative consulting, and representation.
She’s the creator of mystical web app TheMysticMeadow.app and host of A Kind of Meadow podcast, where she helps creative souls stop dimming their light through practical magic and radically honest healing. A Holy Fire Reiki and R.A.A.H. practitioner, she believes storytelling is a spiritual act—and she’s here to help you remember: your story is sacred, especially the parts you're afraid to tell.
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Based in Atlanta with her multi-hyphenate creative husband and two kids, because the most sacred thing you can do is take up space..
You’re one of mine if:

You’ve always felt like too much: too loud, too intense, too honest, too weird, too sensitive, too deep, too contradictory.

You crave realness—not perfection. You want to cry, swear, laugh, and heal all in the same breath.

You’ve been in the self-help or spiritual world, but the love-and-light stuff makes you roll your eyes (even if you do charge your crystals).

You’re neurodivergent, grief-touched, spiritually curious, a little burned out, and ready to stop twisting yourself into something you’re not.

You’ve lost something big—maybe a person, maybe a version of yourself—and now you’re floating in the space in between.

You’ve got something to say—but the words feel stuck, or like you’re telling the wrong story.

In the Media
